ZETALAMBMARY is a two-man show for people who appreciate what we feel are genres of music that have always been forced to fly under the radar. Wraith digs just about everything from indie rock to certain noise pieces, while Zen prefers to stick with melodic, epic-sounding metal and Russian folk music. But what the heck, if we dig it, we will promote it anyway!
East Asia's first extreme metal band to be signed on to a major European metal label (aka Spinefarm Records), the world's first Oriental Black Metal band, a politically active frontman, and.... a hot bassist! If not for these unique features of the band, Chthonic would probably just be another everyday Asian black metal band, trying as hard as they can to break into the international market.
Chthonic is 15 years old as of 2010, and these Taiwanese black metal legends had been to Singapore once 10 years ago, making this more recent trip to Singapore their second to date. The concert yesterday was nothing short of a breathtaking experience, with me and my trusty digital camera planted at the very first row of the audience in the center, it was very deafening as well (ear plugs are awesome). However, it was only because of my fantastic location that I could take many clear and close-up pictures of the band members (with the exception of Dani, the drummer). You readers can check out the pictures by clicking on the link below.
Friendly Freddy: The front man was humorous and interactive, but it was hard to discern his words whenever he spoke in English.
ChthoniC 閃靈 - Forty-Nine Theurgy Chains
ChthoniC 閃靈 - Rise Of The Shadows
Initially, I thought no Singaporean Chthonic fan would be crazy enough to the extent of imitating their Taiwanese peers and throw hell notes into the air during the concert. Well, I was wrong. Not only did local fans buy hell notes and pass them around to fellow fans so that they can all recreate that unique Chthonic concert atmosphere, this enthusiastic Chinese fan from Johor Bahru came all the way here just to catch the Taiwanese band in action, and was probably the wildest mosher in the entire crowd.
Here's a picture of the rabid animal:
This is the second metal concert I have attended in the year 2010 so far, and I certainly wouldn't hesitate to go for more if the bands that are performing are as unique and fascinating as Chthonic. After the concert, I camwhored a bit with fellow Zetalambmary pal Zen, and a guy we befriended at the concert. We queued up for about half an hour outside the studio afterwards, and managed to get a group picture with the band and our autographs too!
Before leaving, we shook hands with members of the band, and I was slightly light-headed for a while after that for I shook hands with Doris Yeh and Jesse Liu!
Photo with the deities of the Taoist underworld!: From left to right - Wraith, Lareyne Kaufmann, Zen
All in all, this was one concert that any Singaporean asian metal or black metal fan should not have missed, and if you did, you really missed one hell of a great time. The only slight disappointment about this concert was that Chthonic's keyboardist CJ Kao could not make it due to him being called up for NS enlistment (yeah, Taiwan has it too), but otherwise, his band mates still made a great stage presence.
If Chthonic is returning for a third gig here in the little red dot anytime soon, we hope to see you around next time CJ!
Taiwanese Symphonic Black metal band, ChthoniC 閃靈, is coming to Singapore this August to bring their unholy brand of political desecration to Republic Polytechnic!
Exact ticket prices are not known yet, but have been estimated to be around S$50+. For those new to Singapore, or who are hardcore ChthoniC 閃靈 fans who will be coming all the way to Singapore this August for the band's virgin performance here, the address to Republic Polytechnic is as follows: 9 Woodlands Ave 9, Singapore 738964
If you do not drive a car, are tight on cash for cabbing, or do not have anyone to drive you there, click here for routes to the venue utilizing public transport.
Tour shirts are most probably going to be available, going for maybe S$30+ for each. There will be no meet-and-greet session with fans before the concert day itself, but fans can hijack the band after their concert is over (which can be late though, because the standard time length of concerts are ~ 1 hour +, without factoring in possible technical problems beforehand and the band's post-performance fatigue).
Be wary of suffocating clouds of cigarette smoke, jostling crowds of metalheads, and pickpockets though. Everyone who waits for the band members after their concert all probably want a photograph/autograph just as much as you do.
This post will be updated as soon as more information becomes available.
UPDATE (02/06/2010): The concert will be held on 14th August, 2010. Venue will be a lecture hall in Republic Polytechnic, estimated to be around 400 tickets available for sale. Exact ticket prices not known yet, stay tuned for further updates!
UPDATE (10/06/2010): Pre-sale price for the concert tickets will be at S$55, and can be bought at 2nd-hand CD shop, Inokii: #03-30, Far East Plaza. Pre-sale will last for roughly 1 month starting from today, and door price will be at S$70, so for interested people, better get your tickets quickly. Meet-and-greet session with fans after the concert have not been confirmed yet, but hopefully there is one, I want a picture with Doris Yeh!! xP
UPDATE (21/06/2010): I just bought my ticket (and am the 27th person in Singapore to do so). The band picture printed on the ticket is the same as the one featured prominently on their MySpace page and my review of "Mirror Of Retribution", but the band logo is red in colour instead of white. It also says ChthoniC are on their Mirrror Of Retribution tour, yep, there is a typo on the ticket. Can't wait for 14th August. \m/,
UPDATE (06/08/2010): Finally, it is 1 week and 1 day more to the concert! Tickets have been completely sold out on Inokii's side by now, so for those who have yet to buy the tix, try out Hell's Labyrinth at Peninsula Plaza... or just wait until next time. :P
Sorry for the long period of absence, we return today with a song by the symphonic black metal band Grand Alchemist. After the release of their first (and only to date) album, Intervening Coma-Celebration, in 2002, Grand Alchemist have pretty much disappeared. Their official site is down, with the last update made in 2006, there isn't a lot of activity on their myspace page either and all news of progression for a new album seemed to have trickled off. After listening to "Down Again" however, I am absolutely flummoxed by this standstill in their career because they seem in every aspect to be a quality band who really know their stuff.
If "Down Again" is any indication, Grand Alchemist is heavily keyboards driven, but that doesn't mean that the guitars are neglected in any way. Both elements work together very well to form varied melodies that makes the song worth listening to again and again. The opening intro particularly appeals to me for its "Alice in Wonderland" feel. Harsh vocals are nicely pitched, and go pretty ok with the tempo. In fact, as far as I'm concerned, "Down Again" is catchy in the way that only a metal song can be, in its musical intricacies and not simply in its chorus or melodies. The only slight drawback is a typical one, the lyrics are not quite up to par. There is structure, and rhyming, so that the singing is in sync with the song. But the meaning of the song is sketchy at best and apart from the general negativity you're not likely to know what the song is trying to put across.
Overall, "Down Again" is less dark than it is melodic and at some points, melancholic, but remains a fine example of symphonic metal that holds true to the latter term as it does to the former. But the mastery of Grand Alchemist reveling in its chosen genre of symphonic black metal is expressed through the hint of creepy eeriness that presented itself in the beginning and lingered throughout the song. This is undoubtedly metal, and fine metal at that.
The rather interesting thing about their music video is that for a song that might be accused of having too much synths and keyboards in it, there is no 'boardist featured at all. In fact, the keyboards strike up even as the band members are shown to be entering the room and picking up their instruments, as if its a supernatural phenomenon. Maybe there's some sort of implication there hmm..
ChthoniC, otherwise known by their more native name 閃靈, is a Taiwanese symphonic black death metal band from Taipei. They formed in 1995, and have 5 members whom all sport Chinese folklore-inspired goth makeup. Their music is very unique, as they combine both Western and Chinese instruments to weave a musical style that is dark, exotic, melodious and insane. Hypnotizing listeners into a false sense of tranquillity at the beginning, the album soon kicks off with a ravaging tide of guitar riffs that washes over you and drowns you in dark aural ambience. They are a melo-death/symphonic black metal hybrid, but what sets them apart from the crowd in that category is that they utilize the Chinese erhu (known as hena in Taiwan) as well, which is a two-stringed bowed musical instrument. It is the Chinese equivalent of the Western violin. In fact, on the single "Forty-Nine Theurgy Chains", a Chinese gong was even used! This is certainly one aspect of cross-cultural assimilation that the Western metal community would be happy to have.
Of all the black metal bands I have been listening to for 2009, ChthoniC easily won me over as a fan. Why? That would be because apart from their musical uniqueness, there are two other facts about them that are pretty interesting. Firstly, their frontman Freddy Lim feels very strongly about the strained political ties between Taiwan and China and is a political activist at home. Earlier this year, he even shook hands with then presidential hopeful Ma Ying Jeoue (now President of Taiwan), whom he had personally endorsed and hence managed to secure him many young voters. Secondly, they are the first Asian extreme metal band to be signed on to Spinefarm Records, a prestigious Finland based label, and that is a very big deal because they are now label mates with big time metal acts like Children Of Bodom, Nightwish, and Satyricon. Talk about finally getting a big break.
The lyrical theme of this album revolves around the spiritual world and the tyranny the Taiwanese had faced from the mainland Chinese government many decades ago. Basically, it is spawned from a combination of local folklore, supernatural myths, and a political agenda against the monolithic Chinese government. Hence, Western metalheads might find the lyrics a little weird and out-of-place because it is culturally different from what they are accustomed to seeing in Western black metal. For example, perhaps only those Western metalheads who learn East Asian history would recognize ChthoniC's reference to the notorious ‘228 Massacre’ in Taiwan throughout the album. You would have to read the lyrics to know that though, as usual, it is kind of impossible to make out the lyrics by ear alone. For those who just concentrate on the music as a whole anyway and do not really care what the lyrics are talking about (like me :P), well, just do your usual stuff and appreciate the aural assault from ChthoniC.
For those who do not like BMTH's music because of the screechy harsh vocals, you might not like ChthoniC's music. Freddy sounds just like Oliver, as he shrieks his way through for the large part of every song, utilizing low growls just once in a while. For those who are fine with BMTH's harsh vocals, you would definitely be fine with ChthoniC's harsh vocals too. Guitar-wise, they churn out melo-death worthy solos, and shred at blazing fast speeds. Not much to talk about the drums, because the drummer deliver beats that are as fast as what most other extreme metal bands usually offer as well. The most obviously striking instrument here would be the Chinese two-stringed violin that Freddy uses to great musical effect. Throughout the entire album, he is able to deliver hauntingly melancholic solos that traverse the border between Western and Eastern music, and which shatters the belief (if any) that Chinese instruments would be out of place in a Western music genre.
Black deities of the underworld: From left to right - Dani Wang/Azathothian Hands (Drums), Doris Yeh/Thunder Tears (Bass Guitar, Backing Vocals), Freddy Lim/Left Face Of Maradou (Vocals, Erhu/Hena), Jesse Liu/The Infernal (Guitar), CJ Kao/Dispersed Fingers (Piano, Synthesizer)
However, one disappointing aspect about the instrumentals would be the supposed presence of the piano. CJ, the finger guy (my own moniker for the dude in any band who deals with the piano or synthesizer), sure puts the synthesizer to good use on many tracks such as the all instrumental track "1947" and the single "Forty-Nine Theurgy Chains". The piano is neglected though, because although CJ apparently plays it on the band, for most of the album, it is like a ghost because it hardly sounds like it is there at all. In fact, the only few moments I hear it clearly on the album was on the tracks "Hearts Condemned" and "Unlimited Taiwan". On the track "Hearts Condemned", the piano could be heard clearly from 2:42 onwards, and on "Unlimited Taiwan", at 1:41 and 2:50, the piano can be heard playing a series of short ascending note sequences. I personally think the piano is a very good accompaniment for any melo-death or black metal band, because the melodies it can create can be so angelic yet intimidating at times, hence here's me hoping that it can be more prominent on future ChthoniC albums.
Take a listen!: This ferocious yet hauntingly melodic brand of black metal will keep you coming back for more.
Alright, this is it for 2009. "Mirror of Retribution" is a must-get black metal album for this year, and if you didn't get it for Christmas, get it for the New Year!
P.S. It would be interesting to see if ChthoniC would eventually make use of other traditional Chinese musical instruments in future, I am all for a pipa or guzheng. ☺
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